Divorce, Italian Style is a one-of-a-kind classic and so is its score by Carlo Rustichelli. Mastroianni, in undershirt and rumpled hair, preens himself, for our amusement and also his own. The plot takes equally strange turns, both towards the broad and the narrow: Cefalù’s murder plot is an overly complicated wheeze, but Angela’s father is a brute straight out of early Fellini, and Cefalù’s trial, where his attorney argues that his old man didn’t love him enough, plops right down in the middle of farce and tense realism. Mastroianni plays this like a secret between him and the audience; we are the only people implicated in his depravity. âWell, I guess I am a rather interesting man,â he says, head angled and eyebrows raised in keen examination. Marriage Italian Style ( Italian: Matrimonio all'italiana [matriˈmɔːnjo allitaˈljaːna]) is a 1964 Italian film directed by Vittorio De Sica and starring Sophia Loren, Marcello Mastroianni, and Vito Moricone. Divorce Italian Style. Divorce Italian Style (Italian: Divorzio all'italiana) is a 1961 Italian comedy film directed by Pietro Germi. The screenplay was written by Ennio De Concini, Pietro Germi, Alfredo Giannetti, and Agenore Incrocci; based on the novel Un delitto d'onore (Honour Killing) by Giovanni Arpino. This site is where I put things of interest. It was declared "Best Documentary" at the San Francisco and the Amsterdam International Film Festivals. But even when he disappears over the hill and shoots Rosalia dead, Fefè doesnât completely forfeit our regard. Yet Divorce Italian Style is a highly moral film. Divorce Italian Style inspires these enigmas by making use of Mastroianniâs greatest gift â his ability to remain sympathetic even when behaving badly. Found inside – Page 17In Lina Wertmuller's Sotto, Sotto (1984), characters discuss Notorious (1946), Divorce Italian Style (1962), and The Red Desert (1964). Pietro Germi 1961 Fefe, Rosalia, Angela, Carmelo (painter) A Fistful of Dollars Director Year Characters. Her PhD in Womenâs Studies from Monash University examined anxiety about masculinity in contemporary American cinema. Established in Melbourne (Australia) in 1999. Divorce Italian Style (1961) cast and crew credits, including actors, actresses, directors, writers and more. Categories Categories; Movies; 1960s movies; 1961 movies; 1961; Movie titles in Italy; Embassy Film Associates; Comedy films; Drama films; The Criterion Collection; HBO Max; Community content is available under CC-BY-SA unless otherwise noted. But he is, as always, much more than just a beautiful face. The director, Pietro Germi, uses comedy to explain how ridiculous it is that divorce is illegal but it is acceptable for a man to kill his spouse. The main character plots to kill his wife after finding a lover for her, knowing he would get off lightly for such an “honor” killing. Found inside – Page 7The core of Italian as well as other western films is the family. ... offered Dino Risi's Love and Larceny (1960), Germi's Divorce Italian Style (1961), ... Found inside – Page 291... young cousin for whom Baron Cefalù (Marcello Mastroianni) kills his wife in Pietro Germi's Divorzio all'italiana (Divorce Italian Style, 1961). By building our antipathy towards her, and through the intimacy of Fefèâs voiceover narration, Germi makes us complicit in his deeds. PLOT. Suddenly, Mastroianni’s role in Divorce Italian Style acquires an invisible double. Found inside – Page 167By linking one of the most hideous characters, Banducci, with Italy's ... the title of Pietro Germi's Divorzio all'italiana (Divorce Italian Style, 1961). He takes to his bed, faking a fever, and repeating, in his âdeliriumâ, âwhy did you abandon me?â He savours the anonymous letters that arrive declaring his cuckolded status not as markers of shame but as proof of his success. The cast does a marvelous job in portraying the different characters. Starring Marcello Mastroianni, Stefania Sandrelli, Daniela Rocca. 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Found inside – Page 382... Divorzio all'Italiana (Divorce Italian Style, 1961) or Matrimo- nio all'italiana (Marriage Italian Style, 1964). Mastroianni had first played this role, ... Divorce Italian Style: Directed by Pietro Germi. Without him we wouldnât watch Fefè do so many dreadful things yet remain on his side. But that stomach, that stomach! It also carries into the visuals: the cinematography, mostly by future Woody Allen D.P. Found inside – Page 276See also linguistic displacement; migration Divorce Italian Style (Germi, ... 181 doubling: and borderline concept, 56—7, 61—2; and female characters in. Not just any actor could support Germi in this task. Marriage Italian Style (Italian: Matrimonio all'italiana [matriˈmɔːnjo allitaˈljaːna]) is a 1964 Italian film directed by Vittorio De Sica and starring Sophia Loren, Marcello Mastroianni, and Vito Moricone.. Found inside – Page 180In comedy, you can't have your characters playing for laughs; ... In the Italian film Divorce–Italian Style, a classic comedy with Marcello Mastroianni, ... Found inside – Page 216Italian Film from 1942 to the Present Mira Liehm ... His Divorzio all'italiana (Divorce Italian Style, 1961) reflects the freakish absurdities of Italian ... Found inside – Page 181Misery and rags were long gone: the common-folk characters of an Italy ... not only in films like Germi's Divorzio all'italiana (Divorce Italian Style, ... Mastroianniâs dominant mode, vocally and visually, is deadpan. 1 Synopsis 2 Credits 3 Quotes 4 Trivia Coming UpMain Cast Tim Daly as Joe Hackett Steven Weber as Brian Hackett Crystal Bernard as … But it never feels pedantic—rather, the issues are gracefully introduced as they relate to the characters’ lives. Found inside – Page 156... 3) All About Eve, 4) Divorce — Italian Style, 5) The Hustler, 6) Giant. ... The director, that forgettable character, is in actual fact the main source ... Found inside – Page 67... characters; this is the case of the Sicilian sailor in Swept Away or the sleek-haired Baron Cefalù in Divorzio all'italiana (Divorce Italian Style, ... His eyes, already dark and heavy-lidded, wear additional makeup to create an even more louche expression. It is a key example of commedia all’italiana (comedy Italian style) – films that reflect the challenges faced by Italy during the postwar economic boom. Anyway, to the matter at hand: Divorce, Italian Style, filmed in 1961, was directed and co-written by Pietro Germi. Found inside – Page 106While Divorce, Italian Style (1961) was widely interpreted as a comment on ... abduction, and rape in the name of honour and some of his male characters ... -Leaves space for peripheral characters encountered in the station -Deep focus hi-lights surroundings and anonymous people as opposed to close-ups on the stars Divorce Italian Style Found inside – Page 77... e abbandonata: 1964) and Divorce Italian-Style (Divorzio all'italiana: 1961). ... In both cases, the oppressiveness of the power that these characters ... Fefè is inspired by an honour killing case being tried in Catania, where a woman who murdered her cheating husband has become a heroine to the women of the south, so often seduced and abandoned by feckless men. Iâll have to cut out fat, sugars and starches. The small city of Agramonte is a tightly-knit community still resisting social change in the age of La Dolce Vita. Cefalù is a slightly more well-behaved Gomez Addams: he wears neat suits that are just beginning to frazzle, puffs on cigarettes through an ornate holder, and sports a trim mustache and heavily Brylcreemed hair. Unfortunately for him, Cefalù is already married to the randy but shrill Daniela Rocca, and in a movie saturated with notions of the Church getting in the way of what people want, what they’re keeping him from is being shed of Rocca and hooking up with Angela. Summary: A Sicilian man, unhappy in his marriage, falls in love with his younger cousin and vows to wed her. Skillfully written and directed by Pietro Germi, Divorce, Italian Style is filled with funny and dark humor. Found inside – Page 1In many Italian mainstream movies, characters who are interested in science ... in Pietro Germi's Divorzio all'italiana [Divorce Italian Style] (1961) reads ... Found inside – Page 176One set of examples of this are the so-called commedie antimatrimoniali (Borsatti 2005, 100), for example Divorzio all'italiana (Divorce Italian Style ... Fefè then desperately tries to find a lover to his wife, to be able to surprise them together, kill them, take advantage of the motive of honor and – served the punishment – marry Angela …. (The ones that follow are increasingly ridiculous, and include blasting her off into space on a Russian rocket as she cackles gleefully.) Contact me at leonard dot pierce at g mail dot com. The Italian law does not allow divorce, but the crime of honor is still foreseen, namely the murder of the partner for treason and punished with a relatively mild sentence. The destruction was way bigger than that. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination. When the film Divorce Italian Style was made in the 1960s, divorce in Italy was illegal. For the filmâs protagonist, the impoverished aristocrat Baron Ferdinando âFefèâ Cefalù (Marcello Mastroianni), the moldy summer heat reinforces his physical oppression, promoting lethargy where he is already nearly inert. G. Losacco – AR-SOCI-250-98-201810 – Duquesne University, Rome Campus, In the imaginary Sicilian town of Agramonte lives the baron Ferdinando Cefalù, called Fefè.In the Sicilian town of Agramonte lives the baron Ferdinando Cefalù, called Fefè. In one of Germi’s more pointed satirical observations, the life of this broken-down aristo isn’t all that different from the deprived leisure of the town’s unemployed men, or the chattering old hangers-on who speculate about everyone’s love life. Well, I guess I am a rather interesting man — refined, intelligent. Sometimes I think things, and sometimes people pay me to say what those things are. Found inside – Page 51... of the film comedy Divorzio all'italiana ( Divorce Italian Style , dir . ... between the anachronism of honor and the woman's emancipated character . Germi achieves a comic masterstroke by having us identify with a morally weak and reprehensible man. Mastroianni valued fun and here as Fefè his ability to tap into the absurd makes this arguably his greatest comic role. Found inside – Page 39Comedy, Italian Style Natalie Fullwood. silent comedy of figures such as Polidor and Cretinetti, the so-called white telephone comedies made during the ... In Divorce Italian Style it is Mastroianniâs commitment to jest that makes the filmâs outrageous plotline a success. Joanna Di Mattia is a writer and film critic and the inaugural winner of the Senses of Cinema-Monash University Essay Prize. He endows the self-absorbed Fefè with a mien he wears often in dramatic roles â a look of world-weary boredom or ennui. Black Sunday Director Year Characters. Divorce Iranian Style is a very critically acclaimed documentary. Found insideThe company's tagline is “Luxury, sports and style cast in exclusive cars”—with bespoke interiors, yet. In 1940 corporate headquarters moved to and remain ... It shocks, coming just before his first gruesome murder fantasy, and could have come out of one of the better American crime dramas of the late ’50s or early ’60s. Even during the last few years, when I’ve finally gotten around to educating myself on the remarkably rich history of Italian cinema, I’ve kept Divorce, Italian Style at arm’s length, thanks to a truly unfortunate title which, while essentially accurate, conjured up unpleasant memories of a specific type of insipid TV comedy in the 1970s. Commemorating the ephemeral with the inexplicable. In front of the mirror, Mastroianni pulls faces and sucks in air through his teeth; he revels in performing, as Sicilians would say, like âun babboâ.2. I eat too much, drink just the right amount, and sleep not at all. These films provoke genuine laughter alongside providing scathing social critique, realising with satire what neorealism had accomplished with melodrama. We cheer him on even as we condemn him. Found inside – Page 215Virtually every character has undergone some form of change, ... Àlms by Pietro Germi as Divorce, Italian Style (1961) and Seduced and Abandoned (1963), ... Found inside – Page 158All of her work as a director is centered on female characters attempting to ... style from the earlier style of Pietro Germi (Divorce—Italian Style, 1962). Cefalù disdains the half-literate romantic gabble that comes out of his wife, even as he pines away for Angela, who has got her to a nunnery; he presents an impeccable public spectacle, all right angles and Persols, but at home he loafs around like the bums who are beneath even the notice of the lively Reds, looking like a disheveled oaf with even less vigor than the workmen who are always clanging around his estate. But as an ambitious amalgam of the two, it’s a bit ahead of its time, which is both a compliment and a criticism. By Bosley Crowther. Divorce Italian Style offers a well-written and genuine comedy with deliberate intentions for the audience to ponder regarding the society and the social restrictions that govern the unhappy. Marriage, Italian Style was adapted from the 1946 play Filumena Marturano , written by by Eduardo De Filippo. Found insideIn comedy, you can't have your characters playing for laughs; ... In the Italian film Divorce—Italian Style, a classic comedy with Marcello Mastroianni, ... Highest Rated: 100% Divorce, Italian Style (1962) Lowest Rated: 20% Of Love and Shadows (1994) Birthday: Jun 05, 1946. If we laugh with Fefè as he runs around trying to hide the recording device that will trap Rosalia, we also laugh at the dexterity of Mastroianniâs performance. Despite its highly contentious subject matter it was an instant hit and proved to be one of the most successful Italian comedies of the decade. Neither fish nor fowl but with a fine supply of flesh and some good red herring, it doesn’t entirely work as the culmination of a tour through neorealism into crime drama, nor is it completely successful as as a wide-ranging comedy. To say otherwise is to deny how Germi uses Fefè as a scalpel with which to dissect the authority of the Catholic Church, the judiciary, and âlawsâ that made it more socially acceptable to kill your spouse than it was to divorce them. 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