Chappelle’s sendups of Black entertainers like Lil Jon and Rick James were brilliant in their brutal simplicity. Read the review, Based on Beard’s lectures on women’s voices and how they have been silenced, Women and Power was an enormous publishing success in the “#MeToo”’ year 2017. I was influenced by everyone from Claudia Weill to Tina Fey to Elaine May to “Waiting to Exhale.” I wanted to do all that and something new. Massacres and victimization and the betrayal of a mentor take a toll, and the fantastic Attah demonstrates that transformation in a profound performance. Let the funny business begin. A woman disappears: we think we know whodunit, but we’re wrong. This pioneering work, which later became a musical, helped shape the modern genre of “graphic memoir”, combining detailed and beautiful panels with remarkable emotional depth. Beyond the ingenuity of its code crashing and the pop of the scabrous one-liner it built to, the Bigsby sketch was notable for its machine-gun use of a word you can no longer get away with on TV. Two slaves flee their masters using the underground railroad, the network of abolitionists who helped slaves out of the south, wonderfully reimagined by Whitehead as a steampunk vision of a literal train. She’s trying to end the war, but the unexpected storyline has other plans, and she finds herself in one daunting and unpredictable situation after another, challenging her morality and putting her in the crosshairs of both her enemies and allies. In this gorgeous retelling of the Trojan War and Rome’s subsequent founding, Le Guin draws on Virgil’s Aeneid to tell a moving, feminist story of war, family, and political destiny.. It happens in the gap between the artist’s real, possibly unsavory life and the version of it he offers onscreen; its value, if it has any, depends on that distance. Bits like the Racial Draft, or a sketch in which Chappelle and Wayne Brady fought to host the show, exploited Chappelle’s fascination with the overlap of Black identity and celebrity image building. Eilis makes a life for herself in New York, but is drawn back by the possibilities of the life she has lost at home. We wore masks during filming except when we were acting, and the crew wore masks all the time. Well, no need to wonder: It happened. The Wind Rises finds these themes so sad it can barely resolve them, leaving those difficult questions for the audience to answer for themselves. Over time, the series increasingly strays from its extreme-makeover format into noncommercial experiments. But the meat of the film comes at the end, at home, when after all that shock and horror a soldier is suddenly expected to act like nothing happened. The original is the superior vision, but even the American release is undeniably sumptuous. It’s a complex genre, in which some of the best films can be unironically positive about a war, while others are also entirely critical of that exact same war. MITCHELL HURWITZ, CREATOR Chance favors the well-prepared. That is how immediate the feedback was. But it’s much more than that. In reclaiming their own childhoods, Erskine and Konkle let us take a fond and really embarrassing look back at ourselves. Kolbert considers both ecosystems – the Great Barrier Reef, the Amazon rainforest – and the lives of some extinct and soon-to-be extinct creatures including the Sumatran rhino and “the most beautiful bird in the world”, the black-faced honeycreeper of Maui. If you’re looking to read some of the best-selling books of this year, explore the titles on the New York Times Best Sellers list. DAN HARMON, CREATOR My intention was never, “This is going to be a sitcom that breaks convention.” But at the end of Season 1, we were anticipating cancellation so we took a bow — that’s where we got the paintball episode, and the chicken fingers episode. LARRY DAVID, CREATOR AND STAR I’ve had the same expectations for the show as I have for everything else in my life — which is to say, zero. With TV, these people are in your home — you do feel like you know them. Pollan is a skilled, amusing storyteller and The Omnivore’s Dilemma changed both food writing and the way we see food. It wasn’t cable; we were going to do 24 episodes that year and no hiatuses, and I used up the first three-and-a-half weeks in the writers’ room trying to figure out what the larger crime was. Breathtaking in scope and intimate in its detail, The House by the Lake is a groundbreaking and revelatory new history of Germany, told over a tumultuous century through the story of a small wooden house. System Two is slow, calculated and deliberate, like long division. The film stars Renner as the team leader of a bomb disposal unit in the Iraq War, but there’s something off about him. The series was both a romantic comedy and a critique of romantic comedy conventions, with a vaudeville verve but deep specificity of place and character. And the sketches that indulge a fixation with women’s breasts haven’t aged well. Grab a slice of pizza and get ready to fend off some demons. Black Book is a pulse-pounding movie, filled with exciting imagery and action that would seem pulpy if Verhoeven didn’t make it look so plausible. Her cells, taken without her knowledge during a biopsy, went on to change medical history, being used around the world to develop countless drugs. Philip Seymour Hoffman steals the show in an Oscar-nominated performance as a CIA agent who’s tired of nobody listening to him, and who finds an unlikely ally in a politician who is suddenly, to his own surprise, all ears. The slide into savagery as civilisation collapses is harrowing material, but McCarthy’s metaphysical efforts to imagine a cold dark universe where the light of humanity is winking out are what make the novel such a powerful ecological warning. Röhrig is astounding in Son of Saul. Flynn’s stylishly written portrait of a toxic marriage set against a backdrop of social and economic insecurity combines psychological depth with sheer unputdownable flair.Read the review, Written after a near-fatal accident, this combination of memoir and masterclass by fiction’s most successful modern storyteller showcases the blunt, casual brilliance of King at his best. I don’t think a lot of people see it that way. 20 Years Later, 'Devil May Cry' Is as Stylish as Ever, The 25 Best War Movies of the 21st Century (So Far), Master and Commander: The Far Side of the World, More Modern superhero movies frequently have to grapple with issues of genuine moral complexity. But it does get easier.” He’s talking about jogging, technically, but …. I haven’t met a sitcom yet that didn’t lose its mojo after “will they/won’t they” became “happily ever after.” And when I find myself “awwing” more than laughing, that’s when I cut bait. JAMES PONIEWOZIK, CHIEF TV CRITIC Several TV series in the 2000s tried to crack the serial-musical format. I think a larger sense of purpose came once I felt the response, the anger and the vitriol that was directed toward me. But it’s also hilarious down to its bones. The end result is sublime. Would swap out: Either “The Office” or “Arrested Development.” Both shows are masterpieces … sometimes. 1 Source for Offensive Comedy.” It was more transgressive and more wildly inventive, and when it clicked, it could make you laugh dangerously hard. The 45 Best Comedies of the 21st Century If it's true that laughter is the best medicine, consider this list a panacea. This wildly enjoyable collection includes her droll observations about ageing, vanity – and a scorching appraisal of Bill Clinton.Read the review, The Congolese writer says he was “trying to break the French language” with Broken Glass – a black comedy told by a disgraced teacher without much in the way of full stops or paragraph breaks. I think I felt that way about Amy before I worked with her. The book ranges widely from the fall of the Berlin wall to the Zapatista uprising in Mexico, to the invention of Viagra. The Fox animated charmer “Bob’s Burgers” has done that job flawlessly, as well as any show since “The Simpsons,” for most of its 11 seasons and counting. The plot has closure but the aftermath lingers on, and the film’s stubborn refusal to moralize about CIA torture techniques - which are depicted as fruitless, but depicted in detail nonetheless - adds a vicious ethical complexity. Read the review, In this modern classic of reportage, Ehrenreich chronicled her attempts to live on the minimum wage in three American states. Inglourious Basterds introduces an outfit of Jewish soldiers roaming behind enemy lines, taking the scalps of Nazis and putting the fear of God into their enemies. In the famous Clayton Bigsby sketch, Chappelle played a blind Southern Black man who thought he was white, a confusion that had allowed him to become a celebrated white supremacist — the American dream in action. Read the review, Carey’s second Booker winner is an irresistible tour de force of literary ventriloquism: the supposed autobiography of 19th-century Australian outlaw and “wild colonial boy” Ned Kelly, inspired by a fragment of Kelly’s own prose and written as a glorious rush of semi-punctuated vernacular storytelling. Now let’s just do 1 through 23.” And by the way, we only had an order for 12 episodes. “Crazy Ex-Girlfriend,” like its Ivy League-grad protagonist, Rebecca Bunch (Rachel Bloom), was an overachiever. The 100 best books of the 21st century. In doing so, she created a series of books that have captivated both children and adults — novels that hold a mirror to our own mortal world as it lurches into the uncertainties of the 21st century. From William Bibbiani, 'Lord of the Rings' Amazon Series: Release Date, Cast, Season 2 & Everything We Know So Far, ‘Sweet Girl’ Director Brian Andrew Mendoza on the Film’s Surprising Ending, Joaquin Phoenix Is a Caring Uncle in First Image From Mike Mills' New Film 'C'mon C'mon', 'Free Guy' Aiming for the High Score With Digital, 4K and Blu-ray Release, 'Lost Judgement' New Images Reveal New NPCs, Side Quests, and the Sega Master System Games You Will Be Able to Play, How ‘Cabaret’ Changed Movie Musicals Through Its Bold Adaptation, Comcast & ViacomCBS Launching Joint Streaming Venture SkyShowtime in Europe, Exclusive: Watch a Timelapse Build of Hasbro’s Massive 32-Inch Marvel Legends Galactus Figure, The Weirdest Movie Musicals to Watch for Fans of ‘Annette’, Neill Blomkamp Thinks 'Chappie' Is the Reason He Isn't Doing an 'Alien' Movie, Exclusive: 'The Manor' Image Teases Barbara Hershey in a Modern Gothic Horror Tale From Director Axelle Carolyn, 'Aquaman 2' Was Inspired By This 1960s Science-Fiction Horror Pulp Film, Says James Wan, How ‘Midsommar’ Helped Me Understand My Grief, Marvel's 'Armor Wars': Don Cheadle's 'Black Monday' Co-Star Yassir Lester to Write Disney+ Series, Who Is Studio Trigger? And I’m telling you, if you were to hunt down David, I’ll bet you there’s a sparkle still secreted on his body somewhere from 2006. — As told to Austin Considine, JENNA FISCHER AND ANGELA KINSEY, STARS AND HOSTS OF THE ‘OFFICE LADIES’ PODCAST. Read the review, Atkinson examines family, history and the power of fiction as she tells the story of a woman born in 1910 – and then tells it again, and again, and again. MIKE HALE, TV CRITIC A sitcom has one job: To create a set of believably peculiar, intimately entwined characters and then stay true to them. It’s the kind of jolt any drama would kill for and few comedies would even think to attempt. Ask not for whom “The Comeback” cringes, Hollywood; it cringes for thee. But years after its finale, it’s a cornerstone of contemporary comedy because it helped define the Mike Schur style of earnest goofiness, part of an Obama-era sincerity that pushed back against Bush-era cynicism. But “BoJack” is an all-timer because it is terrifyingly perceptive about human failure and self-recrimination, about the difference between depression and sadness, between explaining and excusing despicable behavior. A mesmerising tapestry of the River Dart’s mutterings … Alice Oswald. The author started out as the “poet laureate of Twitter”; her language is brilliant, and she has a completely original mind. It could have been corny, but the director of The Rocketeer understands how to ground hokey pulp filmmaking with contemporary whizzbang blockbuster excitement. When the Madigans do finally come together halfway through the book, Enright masterfully reminds us of the weight of history and family. But they lost their ways, and thus despite their incredibly high highs, their achievements are eroded by the vastness and nature of their low lows. For Forrest, reviewing life ultimately becomes a means to avoid living it. TV Larry is me, but way more ballsy. — As told to Reggie Ugwu. To make matters worse, then we put him in sparkles. Read the review, The fourth of the autobiographical Patrick Melrose novels finds the wealthy protagonist – whose flight from atrocious memories of child abuse into drug abuse was the focus of the first books – beginning to grope after redemption. “As this genre finally acknowledges that the dreams of the marginalised matter and that all of us have a future,” she said in her acceptance speech, “so will go the world. David Ayer’s absolutely disturbing, genuinely brilliant Fury eschews all the contrivances of war movies. Free UK p&p over £15, online orders only. The immaculate sets and bold characters and fascinating strategies keep the film from ever feeling boring; there’s always something wonderful to look at, an engaging human drama to get wrapped up in, and suspense aplenty. In this powerful series of essays she tells the poignant stories of the children she met, situating them in the wider context of the troubled relationship between the Americas. It’s real sweaty. Found insideTwo men, one a poor fisherman, the other a lawyer, were childhood friends. MARGARET LYONS, TV CRITIC “30 Rock” is its loopy, brilliant self for seven consistent seasons. Then I think that I should know this person, as if we went to high school or camp together. Each episode unfolds like a stealth mission. We have to be really careful about how we approach it. No matter how weird the setting – a futuristic prison lab, a middle-class home where human lawn ornaments are employed as a status symbol – in these surreal satires of post-crash life Saunders reminds us of the meaning we find in small moments. Read the review, In this urgent examination of free-market fundamentalism, Klein argues – with accompanying reportage – that the social breakdowns witnessed during decades of neoliberal economic policies are not accidental, but in fact integral to the functioning of the free market, which relies on disaster and human suffering to function. Benedict Cumberbatch in the TV adaptation of Edward St Aubyn’s Patrick Melrose novels. From the late 1970s to late 1980s, the CIA armed the mujahideen in Afghanistan to stave off Russian encroachment in the north, and contributed to Russia bankrupting itself and ending the Cold War. The US economy as she experienced it is full of routine humiliation, with demands as high as the rewards are low. Ben Affleck in the 2014 film adaptation of Gone Girl. Read the review, The master of the cold war thriller turned his attention to the new world order in this chilling investigation into the corruption powering big pharma in Africa. 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